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Complete chord songbook
35,50 € *
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ALL THE YOUNG PUNKS|(NEW BOOTS AND CONTRACTS)|ARE YOU RED Y|ARMAGIDEON TIME|ATOM TAN|BANKROBBER|BRAND NEW CADILLAC|Broadway|THE CALL UP|CAPITAL RADIO ONE|CAR JAMMING|THA CARD CHEAT|CAREER OPPORTUNITIES / Clash|CHARLIE DON'T SURF|CHEAPSKATES|CHEAT|CITY OF THE DEAD|CLAMPTOWN|CLASH CITY ROCKERS / Clash|COMPLETE CONTROL / Clash|COOL CONFUSION|COOL UNDER HEAT|CORNER SOUL|THE CROOKED BEAT|DEATH IS A STAR|DEATH OR GLORY|DENY|DICTATOR|DIRTY PUNK|DO IT NOW|DRUG STABBING TIME|ENGLISH CIVIL WAR|THE EQUALISER|EVERY LITTLE BIT HURTS|FINGERPOPPIN'|FIRST NIGHT BACK IN LONDON|48 HOURS / Clash|FOUR HORSEMEN|GARAGELAND|GATES OF THE WEST|GHETTO DEFENDANT / Clash|GROOVY TIMES|THE GUNS OF BRIXTON|GUNS ON THE ROOF|HATE & WAR|HATEFUL|HEART + MIND|HITSVILLE U K|I FOUGHT THE LAW|I'M NOT DOWN|I'M SO BORED WITH THE USA|INOCULATED CITY|IVAN MEETS G I JOW|JAIL GUITAR DOORS|JANIE JONES|JIMMY JAZZ|JULIE'S BEEN WORKING FOR|THE DRUG SQUAD|JUNCO PARTNER|JUNKIE SLIP|KINGSTON ADVICE|KNOW YOUR RIGHTS / Clash|KOKA KOLA|LAST GAN IN TOWN|THE LEADER|LET'S GO CRAZY|LIFE IS WILD|LIGHTNING STRIKES|(NOT ONCE BUT TWICE)|LISTEN|LIVING IN FAME|LONDON CALLING / Clash|LONDON'S BURNING|LONESOME ME|LONG TIME JERK|LOOK HERE|LOSE THIS SKIN|LOST IN THE SUPERMARKET|LOVER'S ROCK|THE MAGNIFICENT DANCE|THE MAGNIFICENT SEVEN|THE MAN IN ME|MIDNIGHT LOG|MIDNIGHT TO STEVENS|MOVERS AND SHAKERS|1977|NORTH AND SOUTH|ONE EMOTION|One More Time|1-2 CRUSH ON YOU|OVERPOWERED BY FUNK|PLAY TO WIN|POLICE AND THIEVES|POLICE ON MY BACK|PRESSURE DROP|The prisoner|PROTEX BLUE|RADIO CLASH|REBEL WALTZ|RED ANGEL DRAGNET|REMOTE CONTROL|REVOLUTION ROCK|THE RIGHT PROFILE|ROCK THE CASBAH / Clash|RUDIE CAN'T FAIL|SAFE EUROPEAN HOME / Clash|SEAN FLYNN|SHOULD I STAY OR SHOULD I GO / Clash|SOMEBODY GOT MURDERED|SOMETHING ABOUT ENGLAND|THE SOUND OF THE SINNERS|SPANISH BOMBS|STAY FREE|Stop The World|STRAIGHT TO HELL / Clash|THE STREET PARADE|THIS IS ENGLAND|THIS IS RADIO CLASH|THREE CARD TRICK|TIME IS TIGHT|TOMMY GUN|TRAIN IN VAIN|UP IN HEAVEN (NOT ONLY HERE)|VERSION CITY|WALKING THE SIDEWALK|WASHINGTON BULLETS|WE ARE THE CLASH|WHAT'S MY NAME|WHERE YOU GONNA GO (SOWETO)|(WHITE MAN) IN HAMMERSMITH PALAIS|WHITE RIOT / Clash|WRONG 'EM BOYO

Anbieter: Notenbuch
Stand: 12.12.2019
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Bombs without Boots
38,49 € *
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Bombs without Boots ab 38.49 EURO The Limits of Airpower

Anbieter: ebook.de
Stand: 12.12.2019
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Wearing Heavy Boots -Trauma in Jonathan Safran ...
25,90 CHF *
zzgl. 3,50 CHF Versand

Seminar paper from the year 2011 in the subject American Studies - Literature, printed single-sided, grade: 1,0, University of Potsdam (Anglistik/Amerikanistik), course: Extremely Irritated and Incredibly Diverse- US-Amerikanische Mainstreamliteratur nach 2000, language: English, abstract: I didn't understand why I needed help, because it seemed to me that you should wear heavy boots when your dad dies, and if you aren't wearing heavy boots, then you need help.(Foer 200, emphasis original)On an early Tuesday morning in September 2001 two as human bombs converted airplanes hit the World Trade Center, killed about 2870 people and left nearly 10.000 children with only one or even no parent at all (Anzieu-Premmereur 281). This drastic disaster ended America as it was known before 9/11 and overwhelmed its inhabitants with tragedy, terror and fear, leaving behind an overpowering numbness that will express itself through flags flying at half-mast, millions of shattered individuals, repetitive pictures of horror in the media and attempts to handle the unbearable through literature.In Foer's Extremely Loud and Incredibly Close (for shortening reasons from now on referred to as EL&IC) the nine-year-old protagonist Oskar Schell suffers from the loss of his dear father Thomas Schell Jr. who died on 11 September in the restaurant Windows of the World located in the north tower of the World Trade Center. This paper will show how Foer's three main characters in EL&IC are portrayed as survivors of trauma, what experiences and guilt they suffer from and how they deal with these on the level of language, action and image. Referring to trauma theory this text will prove that each of the three characters has a different way of coping with the traumatic experiences they faced (in the case of the grandparents even two experiences are taken into consideration) and to what extend a resolution of trauma is achieved by them. The unconventional style of narration and design of EL&IC, its inclusion of blankness and blackness and its constant use of pictures through Thomas Sr.'s daybooks as well as Oskar's Stuff that Happened to Me, create a collage-like character of the novel that resembles the structure of trauma which will also be discussed in this paper.

Anbieter: Orell Fuessli CH
Stand: 12.12.2019
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Ghost Hunters Anthology 05 (Ghost Hunter Myster...
4,00 CHF *
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The adventures of the Ghost Hunters continue - with more exotic locations and hair-raising paranormal adventures than ever before: This collection features four women, all invited to Earth, with unique super-abilities - who each could save or destroy humankind. Each came to this planet for their own reasons, deeply flawed. Victims of time and circumstance. Any one of these, just by themselves, could end all life on this planet in a heartbeat. Why would anyone want to assemble a team of feminine time bombs? Maybe to get them to save their own lives... All in short reads that fit into the time you have to read. Delicious mental snacks that will leave you with new ideas to consider long after the entertainment is over. This anthology contains: - The Training: Tess - The Training: Sylvie - The Training: Star - The Training: Mysti Excerpt: WHEN SHE ADMITTED TO hurting three other young women who came to me for help. I stood up from the round table, The chair behind me scooted back. My hands were clenched into fists, although I then forced them to relax. The atmosphere in that main room of the Western saloon went cool, or it felt so to me. I had three girls upstairs who had gone unconscious, all of which possessed unique supernatural abilities. Bending time and space. A trained warrior who could throw disintegrating fireballs from her bare hands. And the last was able to generate the heat and radiation of a star in space. And here was the person who admitted to knocking them all out, burning two of them, and various cuts to their bodies through bulletproof clothing. For me to get into any physical conflict with her would be foolhardy at best. Suicidal at worst. Hami and Gaia also stood at this. Gaia was more to worry about than any of us in the room. But her skills as an Earth goddess were a bit of a blunt instrument. Sinking whole continents at a gesture was more her trademark. Hami was better at cooking and healing - but it was her and I standing there that kept Gaia from taking any action, regardless of how she felt about this stranger. The golden-headed woman lowered her insulated hood and padded toward us in soft-soled, high-topped boots. 'I've heard about you, John of the Ghost Hunters, and read all about the Lazurai you've written up. Those two factors brought me here. And, as much as it may have just upset you, I've come to you for help. 'Because I'm dying.' Scroll Up and Get Your Copy Now.

Anbieter: Orell Fuessli CH
Stand: 12.12.2019
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Freed (Ghost Hunters Mystery-Detective Anthology)
4,00 CHF *
ggf. zzgl. Versand

Four women, with unique super-abilities - who each could save or destroy humankind. Each came to this planet for their own reasons, deeply flawed. Victims of time and circumstance. Any one of these, just by themselves, could end all life on this planet in a heartbeat. Why would anyone want to assemble a team of feminine time bombs? Maybe to get them to save their own lives... (Contains the complete 4-part anthology.) Excerpt: I looked at Gaia worried face, and then to Hami's. 'Would it do any good to see the crater where it happened?' Gaia shook her head 'no'. 'If you consider this table the crater...' She places the salt and pepper shakers near the center, and a paper napkin dispenser to one side, half way to the table edge. 'Tess and Silvie were in the middle, Star was up on the side.' She tipped the pieces on their sides to show roughly how the girl's bodies were laying. The salt and pepper shakers were laying at right angles to each other. 'And Star was face down?' 'Yes, and her head was toward the edge of the crater.' I considered this. 'So their burns weren't necessarily from Star.' 'Unless she burned them first and then was moving away.' '...and went unconscious afterward, like she collapsed when we found her.' Hami put her hand on top of mine. She knew how much I was taking this personally, by how I was forcing myself to study the 'crime scene'. Gaia looked over the positioning again. 'But we didn't see tracks behind her, and the radiation wasn't any higher than normal. If it had been, Jean and I would have drenched that place in water to cool it off, like last time.' 'That clothing they all wore was nearly tear-proof. The tessies made it, and it's more like a woven steel that a bullet couldn't even get through. Yet their clothing was ripped on all of them. The only thing that could do that would be the tessies themselves.' Gaia raised an eyebrow at that.'But aren't they friendly to Tess? Like almost part of her? Her clothing shouldn't have been torn.' 'And as well, I've seen Silvie's fireballs dissolve a thick, braided cord of that stuff. If Star had gone 'nova' on them, it would have melted that side of their clothing.' Rochelle scooted her chair closer to mine, and put her arm around the back of it. 'Not exactly a locked-door mystery, but close.' I nodded. 'All this points to someone else being present and causing this somehow.' The screen door swung open at that, and we all heard some soft feet pad in on the tongue-and-groove wood floor. A green hood of her insulated jacket covered straight strawberry-blond hair, parted in the middle. That all framed a pair of light green eyes, a petite nose, and full rose-red lips. Her soft-soled, brown leather boots climbed up her legs to disappear beneath the bottom edge of the long, quilted jacket. Her look was serious, but calm as she took in the three of us. 'That someone else – would be me.' (Contains the complete 4-part anthology.) Scroll Up and Get Your Copy Now.

Anbieter: Orell Fuessli CH
Stand: 12.12.2019
Zum Angebot
Wearing Heavy Boots -Trauma in Jonathan Safran ...
15,50 € *
zzgl. 3,00 € Versand

Seminar paper from the year 2011 in the subject American Studies - Literature, printed single-sided, grade: 1,0, University of Potsdam (Anglistik/Amerikanistik), course: Extremely Irritated and Incredibly Diverse- US-Amerikanische Mainstreamliteratur nach 2000, language: English, abstract: I didn't understand why I needed help, because it seemed to me that you should wear heavy boots when your dad dies, and if you aren't wearing heavy boots, then you need help.(Foer 200, emphasis original)On an early Tuesday morning in September 2001 two as human bombs converted airplanes hit the World Trade Center, killed about 2870 people and left nearly 10.000 children with only one or even no parent at all (Anzieu-Premmereur 281). This drastic disaster ended America as it was known before 9/11 and overwhelmed its inhabitants with tragedy, terror and fear, leaving behind an overpowering numbness that will express itself through flags flying at half-mast, millions of shattered individuals, repetitive pictures of horror in the media and attempts to handle the unbearable through literature.In Foer's Extremely Loud and Incredibly Close (for shortening reasons from now on referred to as EL&IC) the nine-year-old protagonist Oskar Schell suffers from the loss of his dear father Thomas Schell Jr. who died on 11 September in the restaurant Windows of the World located in the north tower of the World Trade Center. This paper will show how Foer's three main characters in EL&IC are portrayed as survivors of trauma, what experiences and guilt they suffer from and how they deal with these on the level of language, action and image. Referring to trauma theory this text will prove that each of the three characters has a different way of coping with the traumatic experiences they faced (in the case of the grandparents even two experiences are taken into consideration) and to what extend a resolution of trauma is achieved by them. The unconventional style of narration and design of EL&IC, its inclusion of blankness and blackness and its constant use of pictures through Thomas Sr.'s daybooks as well as Oskar's Stuff that Happened to Me, create a collage-like character of the novel that resembles the structure of trauma which will also be discussed in this paper.

Anbieter: Thalia AT
Stand: 12.12.2019
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A Time To Dance A Time To Run
38,99 € *
ggf. zzgl. Versand

In A Time to Dance A Time to Run Maria, a gifted German prima ballerina, is breathtaking and graceful on the stage-scrambling and scurrying on the streets-streets that first echo the clicks of Nazi boots, and then melt when allied bombs collapse the sky and incinerate the cities. Forging a career in dance is difficult enough for her, but with gutted theaters, disrupted performances, destroyed costumes, and a ration of

Anbieter: Thalia AT
Stand: 12.12.2019
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A Time To Dance A Time To Run
22,99 € *
ggf. zzgl. Versand

In A Time to Dance A Time to Run Maria, a gifted German prima ballerina, is breathtaking and graceful on the stage-scrambling and scurrying on the streets-streets that first echo the clicks of Nazi boots, and then melt when allied bombs collapse the sky and incinerate the cities. Forging a career in dance is difficult enough for her, but with gutted theaters, disrupted performances, destroyed costumes, and a ration of

Anbieter: Thalia AT
Stand: 12.12.2019
Zum Angebot
Freed (Ghost Hunters Mystery-Detective Anthology)
3,99 € *
ggf. zzgl. Versand

Four women, with unique super-abilities - who each could save or destroy humankind. Each came to this planet for their own reasons, deeply flawed. Victims of time and circumstance. Any one of these, just by themselves, could end all life on this planet in a heartbeat. Why would anyone want to assemble a team of feminine time bombs? Maybe to get them to save their own lives... (Contains the complete 4-part anthology.) Excerpt: I looked at Gaia worried face, and then to Hami's. 'Would it do any good to see the crater where it happened?' Gaia shook her head 'no'. 'If you consider this table the crater...' She places the salt and pepper shakers near the center, and a paper napkin dispenser to one side, half way to the table edge. 'Tess and Silvie were in the middle, Star was up on the side.' She tipped the pieces on their sides to show roughly how the girl's bodies were laying. The salt and pepper shakers were laying at right angles to each other. 'And Star was face down?' 'Yes, and her head was toward the edge of the crater.' I considered this. 'So their burns weren't necessarily from Star.' 'Unless she burned them first and then was moving away.' '...and went unconscious afterward, like she collapsed when we found her.' Hami put her hand on top of mine. She knew how much I was taking this personally, by how I was forcing myself to study the 'crime scene'. Gaia looked over the positioning again. 'But we didn't see tracks behind her, and the radiation wasn't any higher than normal. If it had been, Jean and I would have drenched that place in water to cool it off, like last time.' 'That clothing they all wore was nearly tear-proof. The tessies made it, and it's more like a woven steel that a bullet couldn't even get through. Yet their clothing was ripped on all of them. The only thing that could do that would be the tessies themselves.' Gaia raised an eyebrow at that.'But aren't they friendly to Tess? Like almost part of her? Her clothing shouldn't have been torn.' 'And as well, I've seen Silvie's fireballs dissolve a thick, braided cord of that stuff. If Star had gone 'nova' on them, it would have melted that side of their clothing.' Rochelle scooted her chair closer to mine, and put her arm around the back of it. 'Not exactly a locked-door mystery, but close.' I nodded. 'All this points to someone else being present and causing this somehow.' The screen door swung open at that, and we all heard some soft feet pad in on the tongue-and-groove wood floor. A green hood of her insulated jacket covered straight strawberry-blond hair, parted in the middle. That all framed a pair of light green eyes, a petite nose, and full rose-red lips. Her soft-soled, brown leather boots climbed up her legs to disappear beneath the bottom edge of the long, quilted jacket. Her look was serious, but calm as she took in the three of us. 'That someone else – would be me.' (Contains the complete 4-part anthology.) Scroll Up and Get Your Copy Now.

Anbieter: Thalia AT
Stand: 12.12.2019
Zum Angebot